Pagina's

zaterdag 31 oktober 2009

Studio - 9. Beat (King Crimson album) 3. References, 4. External links, 5. Charts.

Studio - 9. Beat (King Crimson album)

3. References.

  1. ^ "King Crimson". Trouser Press. http://www.trouserpress.com/entry.php?a=king_crimson. Retrieved July 5 2005.
  2. ^ "Neurotica". Landesmania. http://www.landesmania.com/neurotica.html. Retrieved 2009-03-20.
  3. ^ "Chapter 10: Battling the Social Neurosis". The Culture of Spontaneity. University of Chicago Press. http://books.google.com/books?id=Ti0jsxHJzVMC&pg=PA232&lpg=PA232&dq=Neurotica+magazine&source=bl. Retrieved 2009-03-20.

4. External links.

5. Charts.

5.1. Album.

Year Chart Position
1982 Billboard Pop Albums 52

5.2. Single.

Year Single Chart Position
1982 "Heartbeat" Billboard Mainstream Rock 57

Studio - 9. Beat (King Crimson album), 1982.[E.G., Virgin Records] June 18, 1982, rereleased January 16, 2006.

Studio - 9. Beat (King Crimson album)

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Beat

Studio album by King Crimson
Released June 18, 1982
Recorded 1982
Genre Progressive rock
Length 35:19
Label E.G. Records
Warner Bros./E.G.
Virgin Records
Producer Rhett Davies
Professional reviews
King Crimson chronology
Discipline
(1981)
Beat
(1982)
Three of a Perfect Pair
(1984)

Beat is an album by the British rock band King Crimson, released in 1982.

According to the Trouser Press Record Guide, the album focused on the twenty-fifth anniversary of the publication of Kerouac's On the Road.[1] The album makes several references to the writings of the beat generation:

  • "Neal and Jack and Me" is the track most obviously inspired by beat writers. The 'Jack' of the title is beat writer Jack Kerouac, and the 'Neal' of the title is Kerouac's friend Neal Cassady.
  • "Heartbeat" is also the name of the book written by Carolyn Cassady, Neal's wife, about her experiences with the Beats.
  • "Sartori [sic] in Tangier" also derives its title from beat influences including the Jack Kerouac novel Satori in Paris, and the city of Tangier in Morocco, where a number of beat writers resided and which they often used as a setting for their writing. Writer Paul Bowles was associated with the beats, and his novel The Sheltering Sky, which provided the title for a track on King Crimson's previous studio album, Discipline, is partly set in Tangier.
  • "Neurotica" shares its title with Neurotica, a Beat-era magazine.[2][3]
  • "The Howler" refers to the beat poem Howl by Allen Ginsberg, which Fripp suggested to Belew as inspiration for the lyrics.

The Chapman Stick introduction to "Sartori in Tangier" is featured in the first scene of the premiere of the MTV show The Maxx.

Of King Crimson's thirteen studio albums, this is the only album that does not have a title track, although its title is included in the name of the song "Heartbeat".


Studio - 8. Discipline (King Crimson album) 4. Charts, 5. External links.

Studio - 8. Discipline (King Crimson album)

4. Charts.

4.1. Album.

Year Chart Position
1981 Billboard Pop Albums 45

5. External links.


Studio - 8. Discipline (King Crimson album), 1981.[EG, Virgin Records] September 1981, rerelased November 22, 2004.

Studio - 8. Discipline (King Crimson album)

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Discipline
Studio album by King Crimson
Released September 1981
Recorded 1981
Genre New Wave, Progressive Rock
Length 42:03
Label E.G. Records
Warner Bros./E.G.
Virgin Records
Producer King Crimson and Rhett Davies
Professional reviews
King Crimson chronology
USA
(1975)
Discipline
(1981)
Beat
(1982)

Discipline is an album by the band King Crimson, released in 1981. This album was King Crimson's first album following a seven-year hiatus. Only founder Robert Fripp and later addition Bill Bruford remained from previous incarnations. The rest of the band was Adrian Belew (guitar, vocals), who had played with David Bowie and Frank Zappa, and Peter Gabriel alumnus Tony Levin (bass, Chapman Stick). The album resulted in a more updated 1980s new wave pre-techno sound mixed with the previous dark and heavy sounds of the 1970s.


donderdag 29 oktober 2009

Sky 3

Sky 3

Steve, Herbie, John, Keivin, Tris

Herbie Flowers
Bass,Tuba

John Williams
Guitars

Steve Gray
Keyboards

Kevin Peek
Guitars

Tristan Fry
Percussion Waterphone

Released: March 1981

Peak position in UK charts: 8 (May 1981)

Availability: Sky 3 was released on CD in 1993 on the Music Club budget label in the UK and Europe. It is hardly surprising that, 10 years later, it is now out of print and not available in shops. It is generally fairly easy to find on eBay even if listed as "rare".

In the meantime, click on the track title to hear/download an MP3 sample from the track (roughly one minute in all cases). I don't include the full tracks for a multitude of reasons, and never will.

Short Review:Made shortly after Francis Monkman's replacement by Steve Gray, this album was an indication of things to come: fewer serious weighty pieces and more of a jazz feel and sound, obvious from the first few tracks. The highlights are those pieces which would remain in Sky's repertoire for the remainder of their performing career, namely Hello (Steve's turn at the simple tune), Meheeco and Westwind. Dance Of the Big Fairies, as the name indicates, was a bit of silliness, and John proves himselves a fine arranger for this particular combo with his take on Handel. Agree? Disagree? Have your say in the Forum!

Forthcoming

Kevin Peek (Acoustic & Electric Guitars, Guitar Synths)
Tristan Fry (Drum Kit & Percussion, Waterphone)
Steve Gray (Keyboards)
Herbie Flowers (Electric & String Bass, Tuba)
John Williams (Acoustic & Electric Guitars)

Released: April 1982

Peak position in UK charts: 7 (April 1982)

Availability: Sky 4 was released on CD at the time of release in Australia, and later in 1993 on the Music Club budget label in the UK, and with a different cover in Europe. It is hardly surprising that, 10 years later, it is now out of print and not available in shops. It is generally fairly easy to find on eBay even if listed as "rare".

In the meantime, click on the track title to hear/download an MP3 sample from the track (roughly one minute in all cases). I don't include the full tracks for a multitude of reasons, and never will.

Short Review:It wasn't question of "if", but of "when" Sky would produce their first album consisting solely of "interpretations" of classical pieces. The best-known of the pieces, the Ride of the Valkyries, is in my estimation a total flop. OK, so the band insist it's a joke. Sorry, guys, but some jokes just aren't funny! And if you need to explain a joke, it's even worse. The only tracks on this album which work for me don't actually form part of the canon of Western classical music at all: "Z" (which John had already recorded twice during his career: once "straight", with Maria Farandouri providing vocals, and once with a more jazzy feel), Xango (not a great piece of music in the grand scheme of things, but pleasant nevertheless) and the final track, which I agree isn't what Sky should be about, but so what? Agree? Disagree? Have your say in the Forum!

Studio - 2. Sky 2, 1979-1980.[Muscic Club] July 1980.

Sky 2

Originally released in North America as...

Sky 2

Sky lineup

John Williams
guitars

Herbie Flowers
bass

Kevin Peek
guitars

Francis Monkman
keyboards

Tristan Fry
percussion

Released: April 1980

Peak position in UK charts: 1 (July 1980)

Availability: A remastered CD was released in February 2005 on the Castle Music label (part of the Sanctuary Records Group and should be fairly easy to find. In case of difficulty, you can always try HMV (No, I don't make money from suggesting them).

I seriously advise against buying the 1994 Music Club edition (which is also the basis for various European and Australian pressings), of which multiple copies float around on eBay at any given time) because it doesn't sound as good.

In the meantime, click on the track title to hear/download an MP3 sample from the track (roughly one minute in all cases). I don't include the full tracks for a multitude of reasons, and never will.

Short Review:Encouraged by the response to their album and tours, this double album was far more representative of a Sky concert, including studio recordings of several pieces which were already aprt of their repertoire. Existing fans were not disappointed, and the huge success of the Toccata single got them many more. Anyone buying the album having heard the single was in for a surprise, though. The sheer energy of Hotta, the descriptive power of Sahara, not to mention the silliness of Dance of the Little Fairies and Tuba Smarties, showed that this was a band capable of a lot more than making noise to a (in my opinion) badly arranged piece of one of the most famous classical pieces ever. And then there's the sheer majesty and complexity of FIFO, probably the pinnacle of Sky's output before or since. I prefer to think of it as a sonata for rock band, the finale of which, as Francis says in the notes, deserves to played out LOUD! And the icing on the cake, side three of the original LP version, featuring each musician as virtuoso, playing relevant classical repertoire entirely straight (just as they did during live performances). Magical! Agree? Disagree? Have your say in the Forum!

Studio - 1. Sky.[Ariola Records] May 1979.

Sky

Sky

Tristan Fry
drum kit & percussion

Kevin Peek
acoustic
& electric guitars

Francis Monkman
piano, synths
& harpsichord

Herbie Flowers
electric & string bass

John Williams
acoustic
guitars

Originally Released: May 1979

Peak position in UK charts: 2 (June 1979)

Availability: A remastered CD was released in February 2005 on the Castle Music label (part of the Sanctuary Records Group and should be fairly easy to find. In case of difficulty, you can always try HMV (No, I don't make money from suggesting them).

Even if you own or are planning to buy the 1994 Music Club edition (which is also the basis for various European and Australian pressings), of which multiple copies float around on eBay at any given time), I seriously advise buying the new remastered one as well, because it sounds much better. (The newly remastered version does not include the bonus track of Dies Irae.)

In the meantime, click on the track title to hear/download an MP3 sample from the track (roughly one minute in all cases). I don't include the full tracks for a multitude of reasons, and never will.

Short Review:A ground-breaking release for its time (prog rock at the tail end of the punk boom?), this album showed what five musicians who were virtuosos of their instruments could do together. The highlights are without a doubt Francis Monkman's two compositions, Cannonball and the five-movement abolsutely stunning Where Opposites Meet. This really was a meeting of styles and approaches to music-making. Carillon set the trend for Sky to include a straight, simple tune on each album, played without any histrionics, and Eric Satie's Gymnopedie paved the ground for further classical arrangements, not all as calm as this one! Dies Irae, which most fans heard for the first time when the previously (little-sold) single was included on the CD release ten years later, is further indication of Francis Monkman's unique compositional and arranging talents for this particular ensemble. Agree? Disagree? Have your say in the Forum!

Sky (band)

Sky (band)

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Sky was a UK-based instrumental group that specialised in fusing a variety of musical styles including light rock, classical and jazz. The group's best known members were classical guitarist John Williams and bass player Herbie Flowers (a former member of Blue Mink and T.Rex who was also a renowned session musician responsible for, amongst other music, the celebrated doubled bass line on Lou Reed's "Walk on the Wild Side" and the novelty hit single "Grandad").


John Williams (guitarist), 24 April 1941 (1941-04-24) (age 68)

John Williams (guitarist)

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John Williams

John Williams live concert in Cordoba, 1986
Background information
Born 24 April 1941 (1941-04-24) (age 68)
Melbourne
Genres Classical music
Occupations Guitarist, arranger and composer.
Instruments Guitar
Years active fl. ca. 1958 - present
Labels Sony Records
Website www.johnwilliamsguitar.com
Notable instruments
Smallman guitar, Ignacio Fleta, Hernandez y Aguado, Gibson Les Paul

John Christopher Williams (born 24 April 1941) is a Grammy Award winning Australian-born British classical guitarist. He is widely regarded[by whom?] as one of finest guitarists of his generation.

Blog Entry Sky (band) 1.History, 1.1. Formation, 1.2. The first two albums , Sky and Sky 2 (1978-1980)

Sky (band)

1.History.

1.1. Formation.

The seeds of what would become Sky began in 1971 when John Williams - already a world-famous classical guitarist - released Changes, his first recording of non-classical music (and the first on which he played electric guitar). Among the musicians working on the album were Herbie Flowers and Tristan Fry (the latter an established session drummer who was also the timpanist for the Royal Philharmonic Orchestra and the Academy of St. Martin in the Fields). The three musicians became friends, kept in touch and continued working together on various projects.

Fry and Flowers (along with Francis Monkman, a harpsichord player best known for being a founder member of the progressive rock/fusion band Curved Air) were performers on Williams' 1978 album Travelling, another cross-genre recording which was a substantial commercial success. The success of Travelling inspired Williams and Flowers to set up their own long-term cross-genre band. Fry and Monkman were swiftly recruited, and the first Sky lineup was completed with the addition of the versatile Australian session guitarist Kevin Peek. Peek was equally adept at classical guitar and pop/rock styles, having built up a reputation both as a chamber musician and as a long-standing member of Cliff Richard's band (as well as for Manfred Mann, Lulu, Tom Jones, Jeff Wayne, Shirley Bassey and Gary Glitter).

The band began writing and recording instrumental music drawing on their collective experience of classical, light pop, progressive rock, light entertainment and jazz] (arguably building on the rock-classical fusion developed earlier in the 1970s by the orchestral band Esperanto). After a protracted search for a record company, Sky eventually signed with the small European label Ariola Records.

1.2. The first two albums , Sky and Sky 2 (1978-1980)

Sky's self-titled debut album (released in 1979) was highly successful in Britain and Australia, quickly reaching gold record status and eventually topping out as a platinum record. Although the band was run democratically, and all members contributed music and/or arrangements, the presence of John Williams in the lineup was regarded as the band's biggest selling point (and was emphasised in publicity). Williams' concurrent solo instrumental hit - "Cavatina - Theme from The Deer Hunter" - also helped to raise the band's profile. However, this was counterbalanced by some negative reviews from critics accustomed to Williams' classical performances, who remained unimpressed by his new direction with Sky.

The band toured the UK in summer and autumn 1979, particular triumphs being sold-out concerts at the Royal Albert Hall and the Dominion Theatre in London (the latter a five-night sellout).

In 1980, Sky recorded and released their second album, Sky 2 - a double album which repeated on and built upon its predecessor's success (becoming the tenth highest selling album in Britain that year). The album included Monkman's side-long rock suite "FIFO" (a piece inspired by computer processing, on which Monkman played electric guitar in addition to keyboards) and four classical pieces including three established chamber music pieces (played entirely straight) and the band's souped-up electric treatment of Bach's "Toccata and Fugue in D Minor". The latter was released as a single (under the name of "Toccata") and reached number 6 in the national pop charts, giving the band the opportunity of performing on Top Of The Pops.

dinsdag 27 oktober 2009

Van Dyke Parks 8. Discography 8.1. Singles, 8.2. Solo Albums, 8.3. Compilation Albums.

Van Dyke Parks

8. Discography.

8.1. Singles.

  • "Number Nine / Do What You Wanta", 1966, single 45
  • "Come to the Sunshine / Farther Along", 1966, single 45
  • "Donovan's Colours, Pt. 1 / Donovan's Colours, Pt. 2" 1968" single 45 (under the pseudonym George Washington Brown)
  • "The Eagle and Me / On The Rolling Sea When Jesus Speak to Me" 1970, single 45
  • "Occapella / Ode to Tobago" 1972, single 45

8.2. Solo Albums.

8.3. Compilation Albums.

Van Dyke Parks 1. Early career, 2. Smile - 7. New projects.

Van Dyke Parks

1. Early career.

Born in 1943 in Hattiesburg, Mississippi and reared in Lake Charles, Louisiana Parks attended the American Boychoir School '57 in Princeton, New Jersey. He began his career as a child actor. Between 1953 and 1958 he worked steadily in films and television, including the 1956 movie The Swan (which starred Grace Kelly). He appeared as Ezio Pinza's son Andrew Bonino on the NBC television show Bonino. One of his costars on Bonino was 14-year-old Chet Allen, who appeared as Jerry Bonino. Parks and Allen were roommates at the Boychoir School. Parks also had a recurring role as Little Tommy Manacotti (the kid from upstairs) on Jackie Gleason's The Honeymooners.

Parks originally studied the clarinet, but had moved to the piano before enrolling (majoring in music) at the Carnegie Institute in Pittsburgh, Pennsylvania, where he studied from 1960 to 1963. In January 1963 Parks learned to play the guitar and soon relocated to Los Angeles to play with his older brother Carson Parks (writer of "Somethin' Stupid") as The Steeltown Two (later enlarged to the Steeltown Three), which eventually became the folk group The Greenwood County Singers (Parks took a short hiatus from this group, moving to New England to be part of The Brandywine Singers).

By 1964, Parks had an artist contract at MGM Records. In 1966 he was persuaded by producer Lenny Waronker to switch to Warner Bros. Records. During this time he worked frequently as a session musician, arranger and songwriter. Parks met Beach Boys leader Brian Wilson through Terry Melcher (who was then producing The Byrds). During 1966 Parks performed on The Byrds album Fifth Dimension (David Crosby later asked Parks to join the band, but Parks refused) as well as on the ill fated Beach Boys project Smile. Also during this period, Parks' compositions, such as the hit "High Coin" for Harpers Bizarre, were becoming known for their lyrical wordplay and sharp imagery.

2. Smile.

In 1966 Brian Wilson commissioned Parks to write lyrics for the Beach Boys' next LP, the ambitious but ill-fated SMiLE. Parks and Wilson collaborated on songs for the album. Members of the Beach Boys strongly opposed Smile, notably Mike Love who negatively called Parks' lyrics "Acid Alliteration".[1] The combination of resistance from the group and their record company, and Wilson's growing mental health problems and spiraling drug use, led Parks to quit the project in early 1967. It was shelved a few months later. Several Wilson/Parks songs from the Smile sessions later appeared on the Beach Boys' replacement album Smiley Smile, including "Heroes and Villains" and "Wind Chimes." Other songs slated for Smile, including "Cabinessence" and "Surf's Up," were compiled by Carl Wilson and included on subsequent LPs.

Smile acquired legendary status as one of the great lost works of the sixties. In 2004, Brian Wilson made a surprise announcement that he was going to finish the mythical record using his current touring band. He contacted Parks, and the duo re-recorded the album.

3. Solo music career.

In 1968, Parks released his first solo album, Song Cycle which combined orchestral textures and traditional Americana-meets-psychedelic pop song structure. AllMusic's Jason Ankeny has described the album as

an audacious and occasionally brilliant attempt to mount a fully orchestrated, classically minded work within the context of contemporary pop. As indicated by its title, Song Cycle is a thematically coherent work, one which attempts to embrace the breadth of American popular music; bluegrass, ragtime, show tunes -- nothing escapes Parks' radar, and the sheer eclecticism and individualism of his work is remarkable. ...[T]he album is both forward-thinking and backward-minded, a collision of bygone musical styles with the progressive sensibilities of the late '60s; while occasionally overambitious and at times insufferably coy, it's nevertheless a one-of-a-kind record, the product of true inspiration. [2]

Song Cycle established Parks' signature approach of mining and updating old American musical traditions, including ragtime and New Orleans-style jazz, and includes the Randy Newman song "Vine Street". Although widely praised by some critics, the album sold poorly.

Four years later, Parks' travels to the West Indies inspired his second solo album Discover America. Discover America was a tribute to the islands of Trinidad and Tobago and to calypso music. Parks re-arranged and re-produced obscure songs and calypso classics. This direction was continued in the 1976 release Clang of the Yankee Reaper.

Parks' 1984 album Jump! featured songs adapted from the stories of Uncle Remus and Brer Rabbit. The album features a Broadway-style reduced orchestra plus Americana additions like banjo, mandolin, and steel drums. Parks composed the album but did not arrange or produce it. Martin Kibbee contributed to the lyrics.

Following Jump!, in 1989 Warner Brothers released Tokyo Rose. This concept album focuses on the history of Japanese/U.S. relations from the 19th century to the "trade war" of the time of its release. The songs are pop tunes with an orchestral treatment including Japanese instruments and old Parks Caribbean favorites like steel drums. The album did not sell well and was not widely critically noticed.

In 1995 Parks teamed up again with Brian Wilson to create the album Orange Crate Art. Parks wrote all of the songs on the album, except "This Town Goes Down At Sunset" and George Gershwin instrumental "Lullaby", with vocals by Wilson. Orange Crate Art is a tribute to the Southern California of the early 1900s, and a lyrical tribute to the beauty of Northern California.

1998 saw the release of Parks' first live album, Moonlighting: Live at the Ash Grove, which shows a love of the work of 19th-century American pianist Louis Moreau Gottschalk as well as performances of several of Parks' better (and lesser) known songs. The live ensemble includes Sid Page as concertmaster.

4. Work for other artists.

Parks has produced, arranged, or played on albums by artists including Tim Buckley, U2, Randy Newman, Harry Nilsson, The Byrds, Cher, Rufus Wainwright, Sam Phillips, Ringo Starr, Frank Black, The Beau Brummels, Medicine, Keith Moon, Carly Simon, Little Feat, T-Bone Burnett, Toad the Wet Sprocket, Victoria Williams, Bonnie Raitt, Peter Case, Gordon Lightfoot, Fiona Apple, Sheryl Crow, Ry Cooder, Joanna Newsom, The Everly Brothers, Saint Etienne, Silverchair, The Thrills, Scissor Sisters, Laurie Anderson, and Susanna Hoffs/Matthew Sweet's covers collection.

In 2006 he collaborated with singer Joanna Newsom on the orchestral arrangements for her second album, Ys. He and David Mansfield are co-credited with the music for the 2006 mini-series Broken Trail. He also contributed orchestrations to the Danger Mouse produced second album by UK psychedelic three piece The Shortwave Set in 2008.

He also composed orchestral arrangements for the fifth Silverchair album, Young Modern, on three songs, "If You Keep Losing Sleep", "Those Thieving Birds/Strange Behavior", and "All Across The World". Daniel Johns, the band's lead singer, traveled to Prague with Parks to have the arrangements recorded by the Czech Philharmonic Orchestra. The album's title is a nickname Parks uses for Johns. This followed his work on the band's fourth album, Diorama, contributing orchestral arrangements on "Across The Night", "Tuna In The Brine", and "Luv Your Life".

5. Music in film and television.

Parks has also scored a number of motion pictures, including Sesame Street's Follow That Bird, Jack Nicholson's The Two Jakes and Goin' South, Casual Sex?, Private Parts, Popeye (with Harry Nilsson), and The Company.

Disney hired Parks to arrange Terry Gilkyson's Academy Award nominated song "The Bare Necessities" for the 1967 feature The Jungle Book. Parks had four songs featured in the 1986 direct-to-video Disney film, The Brave Little Toaster. He worked closely with David Newman on the film's score as well. He composed the theme song for Rudy Maxa's Savvy Traveler radio program on NPR.

The HBO Family series Harold and the Purple Crayon, is narrated by Sharon Stone with music and lyrics written and sung by Parks.

Parks composed the faux-psychedelic song "Black Sheep" (a parody of SMiLE and Brian Wilson's style in general) for Walk Hard: The Dewey Cox Story, sung by John C. Reilly, who portrays the titular character.

6. Other career.

Parks has taken small TV and film roles including appearances in Popeye, The Two Jakes, and as Leo Johnson's defense attorney Jack Racine in episode #2005 of Twin Peaks.

Parks wrote a series of children's books (Jump (with Malcolm Jones), Jump Again and Jump on Over), based around the Br'er rabbit tales, illustrated by Barry Moser, and loosely accompanied by Parks' own album Jump!. The books contain sheet music for selected songs from the album.

Parks was given the job of heading the audio/visual department of Warner Bros. records in September, 1970.[3] This department was the earliest of its kind to record videos to promote records.[4]

7. New projects.

Parks has completed work with Brian Wilson on a new narrative song cycle entitled That Lucky Old Sun (A Narrative).

He also contributed to the new record by The Shortwave Set, tentatively titled Replica Sun Machine, which features a 24-piece orchestra and further input from John Cale. That disc is set for release early 2008.

Parks worked with Inara George on a record released in 2008, An Invitation, and they performed two songs together on 8 January 2008 at the Walt Disney Concert Hall in Los Angeles, as part of the program Concrete Frequency: Songs of the City.

Parks is a guest musician on Echo by Mari Iijima, due to be released in August 2009. Iijima sang "Calypso," on Parks' album Tokyo Rose.[5]

Brian Wilson 3. The Beach Boys solo discography : 4. Brian Wilson. 4.1. Albums.

Brian Wilson

3. The Beach Boys solo discography

From Wikipedia, the free encyclopedia

Jump to: navigation, search

Many solo albums have been released by members of The Beach Boys: Brian Wilson, Carl Wilson, Dennis Wilson, Mike Love, Bruce Johnston and Blondie Chaplin have all produced solo albums. Bruce Johnston had two album releases prior to joining the band, and one while on hiatus from the group in 1977, Going Public. The same year Dennis Wilson released Pacific Ocean Blue. Carl Wilson also released two albums, Carl Wilson in 1981 and Youngblood in 1984. Mike Love released Looking Back with Love in 1981. In 1988, Brian Wilson released his first solo album, Brian Wilson. He has since released a further six studio albums and two live albums. Blondie Chaplin, a member of the band from 1972 to 1973, released two studio albums in 1977 and 2006.

4. Brian Wilson.

4.1. Albums.

Brian Wilson (July 12, 1988) Sire Records - US: #54
Tracks: Love And Mercy; Walkin' The Line; Melt Away; Baby Let Your Hair Grow Long; Little Children; One For The Boys; There's So Many; Night Time; Let It Shine; Meet Me In My Dreams Tonight; Rio Grande
I Just Wasn't Made for These Times (August 15, 1995) MCA Records - UK: #59[1]
Tracks: Meant for You; This Whole World; Caroline, No; Let the Wind Blow; Love And Mercy; Do It Again; The Warmth of the Sun; Wonderful; Still I Dream of It; Melt Away; 'Til I Die
Orange Crate Art (with Van Dyke Parks) (October 24, 1995) Warner Bros. Records - never charted
Tracks: Orange Crate Art; Sail Away; My Hobo Heart; Wings of A Dove; Palm Tree And Moon; Summer In Monterey; San Francisco; Hold Back Time; My Jeanine; Movies Is Magic; This Town Goes Down At Sunset; Lullaby
Imagination (June 16, 1998) Giant Records - US: #88; UK: #30[1]
Tracks: Your Imagination; She Says That She Needs Me; South American; Where Has Love Been?; Keep an Eye on Summer; Dream Angel; Cry; Lay Down Burden; Let Him Run Wild; Sunshine; Happy Days
Live at the Roxy Theatre (June, 2000) Brimel Records - UK: #199[1]
Tracks: Little Girl Intro; The Little Girl I Once Knew; This Whole World; Don't Worry Baby; Kiss Me, Baby; Do It Again; California Girls; I Get Around; Back Home; In My Room; Surfer Girl; The First Time; This Isn't Love; Add Some Music to Your Day; Please Let Me Wonder; Band Intro; Brian Wilson; 'Til I Die; Darlin'; Let's Go Away For Awhile; Pet Sounds; God Only Knows; Lay Down Burden; Be My Baby; Good Vibrations; Caroline No; All Summer Long; Love And Mercy; Sloop John B; Barbara Ann; Interview With Brian
Pet Sounds Live (June 11, 2002) Sanctuary Records - UK: #107[1]
Tracks: Show Intro; Wouldn't It Be Nice; You Still Believe in Me; That's Not Me; Don't Talk (Put Your Head on My Shoulder); I'm Waiting for the Day; Let's Go Away For Awhile; Sloop John B; God Only Knows; I Know There's an Answer; Here Today; I Just Wasn't Made for These Times; Pet Sounds; Caroline No
Gettin' in Over My Head (June 22, 2004) Warner Bros. Records - US: #100; UK: #53[1]
Tracks: How Could We Still Be Dancin'?; Soul Searchin'; You've Touched Me; Gettin' In Over My Head; City Blues; Desert Drive; A Friend Like You; Make A Wish; Rainbow Eyes; Saturday Morning In The City; Fairy Tale; Don't Let Her Know She's An Angel; The Waltz
Smile (September 28, 2004) Nonesuch Records - US: #13;

UK: #7[1]
Tracks: Our Prayer/Gee; Heroes and Villains; Roll Plymouth Rock; Barnyard; The Old Master Painter/You Are My Sunshine; Cabin Essence; Wonderful; Song For Children; Child Is Father of The Man; Surf's Up; I'm In Great Shape/I Wanna Be Around/Workshop; Vega-Tables; On A Holiday; Wind Chimes; Mrs. O'Leary's Cow; In Blue Hawaii; Good Vibrations
What I Really Want for Christmas (October 18, 2005) Arista Records - US: #200
Tracks: The Man with All the Toys; What I Really Want For Christmas; God Rest Ye Merry Gentlemen; O Holy Night; We Wish You a Merry Christmas; Hark the Herald Angels Sing; It Came Upon a Midnight Clear; The First Noel; Christmasey; Little Saint Nick; Deck the Halls; Auld Lang Syne; On Christmas Day; Joy to the World; Silent Night
That Lucky Old Sun (September 2, 2008) Capitol Records - US: #21; UK: #37[2]
Tracks: That Lucky Old Sun; Morning Beat; narrative: Room with a View; Good Kind of Love; Forever She'll Be My Surfer Girl; narrative: Venice Beach; Live Let Live; Mexican Girl; narrative: Cinco de Mayo; California Role; narrative: Between Pictures; Oyxgen to the Brain; Can't Wait Too Long (excerpt); Midnight's Another Day; Going Home; Southern California