Pagina's

donderdag 5 november 2009

Fzl-51.2. The Ark (BTB), The Ark documents a show at The Ark, Boston, Massachusetts on July 8, 1969.[Rgyno Disc] July 7, 1991

Fzl-51.2. The Ark (BTB)

The Ark documents a show at The Ark, Boston, Massachusetts on July 8, 1969.

1. Players.

2. Tracks.

  1. Big Leg Emma (04:33)
  2. Some Ballet Music (07:14)
  3. Status Back Baby (05:55)
  4. Valarie (03:53)
  5. My Guitar (06:50)
  6. Uncle Meat / King Kong (23:49)




zl-51.1. As An Am (BTB), As an Am features recordings from three separate shows. Track 1 is from May 19, 1981 at Rockline, KLOS-FM, Los Angeles, California; tracks 2 and 3 are from May 21, 1982 at Sporthalle, Cologne, Germany and tracks 4-6 are from October 31, 1981 at The Palladium, New York City.[Rhino Disc] June 1991

Fzl-51.1. As An Am (BTB)

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1. Players.

2. Tracks.

  1. That Makes Me Mad (00:51)
  2. Young & Monde (11:24)
  3. Sharleena (09:10)
  4. Black Napkins (03:59)
  5. Black Page (07:12)
  6. The Torture Never Stops (11:01)

tgml- a grandmothers night at the gewandhaus - incl.various frank zappa compositions, recorded live in concert 2003/03/27 at the 'gewandhaus' in Leipzig, Germany.[Warner Classic 2564600682] 05 May 2003

a grandmothers night at the gewandhaus

- incl.various frank zappa compositions

the grandmothers (tracks 1 - 15)
don preston: vocals, piano, synth
napoleon murphy brock: vocals, tenor sax, flute
bunk gardner: tenor sax, bassoon, soprano sax, flute
roy estrada: vocals, bass guitar
ken rosser: guitar
chris garcia: drums
the chamber orchestra of invention (tracks 8, 10, 11)
violine: julia barto, eduard tachalov, jansen folkers, axel ruhland, kirsten ibarra, matthias brommann
viola: daniela crisan, mike rutledge
violoncello: stephan braun, hagen kuhr
kontrabass: frank skriptschinski

1. Track listing.

  1. hungry freaks, daddy (f.zappa)
  2. lonely little girl (f.zappa)
  3. take your clothes off (when you dance) (f.zappa)
  4. what's the ugliest part of your body? (f.zappa)
  5. oh no (f.zappa)
  6. the orange county lumber truck (f.zappa)
  7. trouble coming every day (f.zappa)
  8. amsterdam (d.preston, j.o'keefe)
  9. peace for all (n.m.brock, d.preston)
  10. lamonts lament (d.preston)
  11. immaculate deception (d.preston)
  12. montana (f.zappa)
  13. village of the sun (f.zappa)
  14. echidna's arf (of you) (f.zappa)
  15. mother people (f.zappa)

woensdag 4 november 2009

The Mothers of Invention 2. Discography.

The Mothers of Invention

2. Discography.

2.1. The Mothers of Invention (1964-1969)

2.2. The Mothers (1970-1971)

2.3. Frank Zappa and the Mothers of Invention (1973-1975)

The Mothers of Invention 1. History.

The Mothers of Invention

1. History.

Initially, the group was named "The Soul Giants" and consisted of drummer Jimmy Carl Black, bass player Roy Estrada, saxophonist Davy Coronado, guitarist Ray Hunt, and vocalist Ray Collins. Some biographers report that Collins fought with Hunt in 1964 (according to Collins: "I never touched Hunt, I don't even remember shaking his hand"), after which Hunt quit the group and Frank Zappa took his place as guitarist - quickly becoming the leader of the group, which changed its name to "The Mothers" on Sunday, May 10, 1964 (that year's Mother's Day) The band's name was allegedly an abbreviation for "motherfuckers".

During late 1965, record producer Tom Wilson made a brief visit to a tavern where The Mothers were playing and offered them a contract and an advance of US$2500.

The Mothers and Wilson then spent several months and thousands of dollars recording and editing the band's first album, a double LP named Freak Out!,[2] and at the insistence of their record company, MGM Records, the group changed their name again, this time to "The Mothers of Invention". Their debut was released in 1966, and The Mothers of Invention subsequently went on tour.

MGM recorded sales of Freak Out! amounted to a relatively poor 30,000 copies. The record label responded by cutting the band's budget for their next LP to US$11,000. The Mothers of Invention continued regardless, releasing Absolutely Free in 1967, We're Only in It for the Money in 1968 and Uncle Meat in 1969 under the leadership of Zappa.

In 1969, Zappa disbanded the original Mothers of Invention. Estrada went on to form Little Feat with Lowell George, who had been in the Mothers for a few months in late 1968 and early 1969 but was reportedly fired by Zappa because of his drug use.

In 1970, Zappa created a new incarnation of The Mothers which included Mothers' alumni Ian Underwood and Don Preston. This 'new' lineup also featured British-born drummer Aynsley Dunbar (ex-John Mayall's Bluesbreakers), multi-instrumentalist Ian Underwood (keyboards, guitar, woodwind, vocals) and Ruth Underwood (marimba, vibes), who had joined the original Mothers for the recording of Uncle Meat in 1969.

George Duke (keyboards, trombone, vocals) first performed with Zappa in 1970 on 200 Motels and subsequently became a key member of Zappa's mid-70s touring bands. New Mothers members included Jim Pons (bass), Bob Harris (keyboards, vocals), vocalists Howard Kaylan and Mark Volman (aka "The Phlorescent Leech & Eddie", former members of '60s pop group The Turtles), and Jeff Simmons (bass, rhythm guitar).

The "new" Mothers (with drummer John Guerin) first played on the 1970 album Chunga's Revenge although it is credited solely to Zappa, followed by Zappa's ambitious concept film/album project 200 Motels, which also featured Jimmy Carl Black, folk singer Theodore Bikel, drummer Keith Moon of The Who and former Beatle Ringo Starr.

Now credited as "The Mothers", Zappa and the group recorded two acclaimed live albums, Fillmore East - June 1971 and Just Another Band From L.A., but Zappa again disbanded the band in late 1971 after an attacker had pushed him offstage into an orchestra pit at a concert in London, resulting in serious injuries that kept him off the road for more than a year.

Although Zappa had always released, and would continue to release, albums explicitly as solo artist (Lumpy Gravy, 1967; Hot Rats, 1969; Chunga's Revenge, 1970; Apostrophe ('), 1974), various line ups of the Mothers followed in the 70s, the band now clearly a mere vehicle for Frank Zappa. Albums were variously released as Zappa/Mothers (Roxy & Elsewhere, 1974) or Frank Zappa and the Mothers of Invention (One Size Fits All, 1975) until Zappa permanently dropped the moniker in 1976, from the release of Zoot Allures (1976) onwards. Later releases by Zappa in CD format contain Mothers of Invention material from various line-ups (e.g., You Can't Do That on Stage Anymore, Vol. 3, 1988) and is occasionally credited as such on the album cover art (Playground Psychotics, 1992; Ahead of Their Time, 1993).

Since 1980, Jimmy Carl Black, Don Preston and Bunk Gardner, plus other former members of the Mothers of Invention, have occasionally performed and recorded under the name "The Grandmothers" or "The Grande Mothers Re:Invented", performing music by Frank Zappa and Captain Beefheart as well as originals and blues standards.

On November 1, 2008, original Mothers drummer, Jimmy Carl Black, died in Germany at the age of 70.


dinsdag 3 november 2009

fzs-19. One Size Fits All, Record Plant Studios, Los Angeles; Caribou Ranch, Nederland, CO; and Paramount Studios, Los Angeles, August 1974 - April 1975.[DiscReet Records] June 25, 1975, rereleased May 2, 1995.

fzs-19. One Size Fits All

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One Size Fits All

Studio album by Frank Zappa and The Mothers of Invention
Released June 25, 1975
Recorded Record Plant Studios, Los Angeles; Caribou Ranch, Nederland, CO; and Paramount Studios, Los Angeles, August 1974 - April 1975
Genre Jazz fusion, hard rock, progressive rock
Length 42:55
Label DiscReet Records
Producer Frank Zappa
Professional reviews
Frank Zappa chronology
Roxy & Elsewhere
(1974)
One Size Fits All
(1975)
Bongo Fury
(1975)

One Size Fits All is a 1975 rock album by Frank Zappa and The Mothers of Invention. It is the last Zappa album to be recorded with The Mothers of Invention. A special four-channel Quadraphonic version of the album was prepared and advertised, but not released.

The album features the final version of The Mothers of Invention, with George Duke, Chester Thompson, Ruth Underwood, Tom Fowler and Napoleon Murphy Brock. The album itself features one of Zappa's most complex and well-known tracks, "Inca Roads". One of Zappa's heroes, Johnny "Guitar" Watson, guests on two tracks.

Early U.S. LP pressings of the album have a skip during Inca Roads at approximately 4:40 into the track. This error was a manufacturing defect not caught during the test pressing stage. The first round of pressings were recalled after the mistake was caught, but a significant number had already been sold. The highly complex nature of the music made it difficult to recognize the error without comparing it to the correct version.

In 1988, One Size Fits All was released on CD by Rykodisc.

Po-Jama People

Po-Jama People

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"Po-Jama People" is a song composed by Frank Zappa and featured on his 1975 album One Size Fits All. The original closer of that LP's Side A, it's a relatively straigh�tforward blues-rock song with a strong focus on Zappa's guitar playing and his band's musical abilities and with a rather lightweight social satire on its lyrics.

1. History.

"Po-Jama People" wasn't one of Zappa's compositions he held in high regard, something that helps to explain why the piece wasn't played on his gigs. It was probably written during the 1973-1974 tour (with the so-called "Roxy band"), tested live a few times (the first time at Gothenburg, Sweden, on September 25, 1974), then recorded for "One Size Fits All", and quickly forgotten. In the context of that LP, "Po-Jama People" may be seen as a song whose function is to create a contrast with the more high-flying songs, like "Inca Roads" or "Andy".

2. Structure.

"Po-Jama People" is, at least in Frank Zappa's terms, pretty much a simple rock song. It starts with Zappa playing a succession of fast hammer-ons and pull-offs on his guitar, not unlike Jimmy Page's guitar solo on Led Zeppelin's "Heartbreaker", while George Duke and Chester Thompson play some piano and drum fills as an accompaniment. Then, the proper song starts off with a straigh�tforward blues-rock structure. After a few verses and the chorus have been sung, a brief outro with marimba and guitar is played and Zappa starts his guitar solo, a succession of notes played very fast. At around 5:10, the solo ends and the chorus is reprised, this time with heavily featured backing vocals, most of them in a goofy manner. This goes on until it gradually fades out, clocking in at seven minutes and thirty-nine seconds. The lyrics describe various groups of people within society using the analogy of people wearing pajamas. The main target of the song's satire are the ignorant, those wearing "cozy little footies on their minds".

3. Other Aspects.

While "Po-Jama People" is often considered as one of the songs in "One Size Fits All" which are not very serious, it does hold some noteworthy aspects. For instance, as well as Zappa's solo featured on it, there's also the accompaniment played by his band, this time being just piano, bass and drums. At 5:05, for example, when Zappa briefly slows down the pace of his solo, the band slows down as well, in a great example of improvisation. The tightness of the band can be heard throughout the entire track, and there are many other examples. Also worthy of notice are Zappa's vocals, which are sung with his famous technique of singing very close to the microphone, with his deep voice. The backing vocals of Napoleon Murphy Brock and George Duke towards the end, while absolutely ludicrous, are also interesting.

4. References.